Crime drama set in the 1960s about an old-school detective trying to come to terms with a time when the lines between the police and criminals have become blurred.

John Peterson lives with his partner Eric and their adopted daughter in Southern California. When he is visited by his aging father Willis from Los Angeles who is searching for a place to retire, their two very different worlds collide.

In a modern Europe, rife with racism and intolerance, 2 young people are confronted by a harrowing family past. As they fall in love, 3 generations struggle to forgive and move forward to more compassionate lives, and a greater understanding.

In a modern Europe, rife with racism and intolerance, 2 young people are confronted by a harrowing family past. As they fall in love, 3 generations struggle to forgive and move forward to more compassionate lives, and a greater understanding.

When Moon played me this song, a clear picture of the video emerged in my mind: Moon skating, arms out, eyes closed, at peace with herself. We wanted to convey the purity of that rather than over-produce, so Jesse (long-time collaborator and brother) and I worked with a local DoP in Johannesburg to realise the vision. (Lauren Roth de Wolf)

“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.

An Ivy League professor returns home, where his pot-growing twin brother has concocted a plan to take down a local drug lord.

Hacking at Leaves documents artist and hazmat-suit aficionado Johannes Grenzfurthner as he attempts to come to terms with the United States' colonial past, Navajo tribal history, and the hacker movement. The story hones in on a small tinker space in Durango, Colorado, that made significant contributions to worldwide COVID relief efforts. But things go awry when Uncle Sam interferes with the film's production.

An ordinary man frustrated with the various flaws he sees in society begins to psychotically and violently lash out against them.

Aurora, a Portuguese migrant, works as an order picker in a warehouse in Edinburgh, Scotland. Caught between the walls of a huge distribution centre and the solitude of her own room, Aurora tries to seize every opportunity to resist the alienation and isolation that threaten her identity.